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Flamboyant: marked
by or given to strikingly elaborate or colourful display or behaviour.
Dramatic: striking
in appearance or effect.
Passionate: capable
of, affected by, or expressing intense feeling.
All of the above and much
more, is what you can expect from a band like My Chemical Romance. Faithful
to their name the New Jersey quintet is able to excite fiery passions and
indelible love stories. It's all in something that few bands seem to
possess right now: a heart. And the heart in their new record : The
Black Parade, is a pulsing, bloody, gory, beautiful thing that beats and
careens against battered ribs, that clenches and stops and restarts, Lazarus
in everybody’s chest.
This is a record of life
drenched in death. This record is a tale about the eternal dichotomy between
love and death. This is a record of monsters and dreams, nightmares
and salvation.
This record is a soul
itself.
Whatever the press and fans
were expecting when MCR announced that they were writing the follow up to
the multi million sellers Three Cheers for Sweet Revenge, they were not
expecting this record. They were not expecting to be such a good record.
Because, yes, it has to be said, this is not a good record, this is not an
amazing record, this is a WONDERFUL, OVER THE TOP, CRAZY, MAGNIFICENT
record.
Since the first,
understated, melancholic bars and abrasive words of “The end” (in an
oxymoronic statement that is typical of the entire album, where dying is
living and living is a form of inexorable death) Gerard Way and his band of
friends, brothers, misfits, are clearly on a mission, not only to deliver a
(practically) flawless record, they are dead set to tell us a story.
To tell us a story that, in their best traditions of classics and
masterpieces, will talk not only to this generation, but to the generations
to come.
Armed with a varied and
complex and weirdly eccentric musical knowledge, My Chemical Romance has
delivered a record that is a written testament to the soul, heart, feeling,
days, nights, tribulations and triumph of five guys. Yes, Gerard Way is the
ring master of this incredible, sometime macabre, but always brilliant
circus, but the rest of the band is the back bone of this untamed beast.
The press and some of the
fans were expecting tamed, bored tigers and stiff jokes, but, in that
defiant way that had dragged these five men out of the crime ridden, hope
lacking, grey skyline of their industrial New Jersey, My Chemical Romance
has delivered a rock opera that is much more than that.
This is not Queen A night
at the Opera and it’s not Pink Floyd’s The Wall, albeit, to Gerard’s own
admission, those are some of the influences that have inspired this record.
The Black Parade is a
portrait, it’s a chronicled painting of how life and death can rob each
other of their own meaning, of how, sloth, disgrace, self loathing can sap
the entire soul out of a heart.
The imagery in the record
is vivid, brilliant and gory-ish, in the best possible way, this is a
graphic novel sang with words of the sharpest diamond razorblades.
Well it rains and it
pours when you're out on your own
If I crash on the couch, can I sleep in my clothes
Cause I spent the night dancing, I'm drunk I suppose
If it looks like I'm laughing I'm really just asking to leave
this alone You're in time for the show
You're the one that I need, I'm the one that you loathe
You can watch me corrode like a beast in repose
Cause I love all the poison away with the boys in the band (The
Sharpest Lives)
And it’s easy to see the
landscape scratched in sharp graphite’s pencil, the anti heroes and the rain
and that’s what makes this experience sometime much, much more than just a
record. You can see it, touch it and live it, because, in many way we
are all patients. We are all standing under a rain of graphite’s line.
We are all in search of the theatrical of life. We are all born with
the desire of live and be heroes. We are all, in a way or another
disappointed and disappointing.
This is not the Bible, this
is not a record to save people (albeit MCR in their ever so earnest way,
have often said that many kids had thanked them for saving their lives),
this is not a gospel for broken kids, This is not even a record for
gothic/emo/screamo/ teenagers (teenagers scare the living shit out of me,
sings Gerard in Teenagers), this a record that the guys from My Chemical
Romance have written for themselves first and foremost and yes, it is self
indulgent and yes, it can be too open, too in your face, too emotional even,
but if there is something that this world lacks is sincerity and, even if
it’s overblown and majestic and theatrical, this truth? This truth, we
really need it.
And after all the blood that you still have,
Another time I was chancing it all around,
So fix your eyes and get up,
Baby, get up,
While you can,
Where’d you go?
And would you even turn to say,
I don’t love you,
Like I did yesterday, (I don’t Love you)
So, is this record a
masterpiece?
Yes.
It is.
It’s huge, it’s too big for it’s own sake and too many people will end up
owning it, just because it’s gonna be number 1 for months and because there
is nothing more marketable than beauty and ingrained ability to be ambiguous
and tragic, but this record is a masterpiece because it has no fear. No fear
to be too much. No fear to tell the truth. No fear to try and be as
beautiful and as ugly as it possibly can.
No fear to die.
Because this? This is
forever and My Chemical Romance knows it.
I am not afraid to keep on living
I am not afraid to walk this world alone
Honey if you stay
I'll be forgiven
Nothing you can say can stop me going home (Famous
Last Words)
by Laila
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